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Currently edited by Nancy Campbell, Mary Jean Chan and Theophilus Kwek.

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Poetry Press from The Page

"It wasn’t until I was translated into German, by (the poet and novelist) Marcel Beyer, that I appreciated how devious I was in English. Deviousness, for me, is a prime quality of English—English English, that is. I don’t know that Americans do devious, and if they do, then it comes out different. Maybe high-energy devious." Michael Hofmann • Asymptote

"Whitman, who would go on, during the Civil War, to volunteer at an Army hospital, vacillates between empathy and disgust for such infirmities. He doesn’t so much sing the body electric as linger on the sad sack whose “joints move like those of some rusty machine,” whose “bowels are clogged with accumulations of fearful impurity, like sewers that have been stopped.”" Dan Piepenbring • The New Yorker

"This is primarily because Vuong possesses a large and unusual imagination, but the road he has taken to poetry is also a factor: he was born in Vietnam and emigrated to the US after a spell in a refugee camp; he is also gay. Being a Trump-voter’s worst nightmare seems to have provided him with a unique and often comic perspective on Western language and life." Paul Batchelor on Vuong, O'Riordan and Bryce New Statesman

"That’s one of our great societal difficulties with poetry; we can’t accept that it’s as it is, because we’ve been taught to believe that it’s about something else. We’re always looking for the something else it’s about. It’s a banal thing to say, but it accounts for a lot of trouble that readers get into." Paul Muldoon Princeton News


Oxford Poetry is published twice a year, and currently edited by Nancy Campbell, Mary Jean Chan and Theophilus Kwek.

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